Words: James Frostick, Tristan Davies, Tam Matlakowski and Dusty Anastassiou
Today marks the official release of Time Permits, the long-gestating debut album from Naarm/Melbourne “superb-group” Permits. Although described on paper as a band conceived as a way to document abandoned songs, the record’s collection of off-cuts and cast-aside ideas has come together as a remarkably listenable whole. The group has agreed to take us through the album, relaying the journeys and inspirations behind its 10 tracks of sublime strum.
Emerging at a pivotal time is Permits, a band comprised of a murderer’s row of acclaimed Naarm/Melbourne-based musicians. Originally an outlet designed to document and house abandoned songs and musical concepts, the group (comprised of members of The Shifters, Pop Singles, Chook Race and Dag) have utilised the recent lockdown period to bring these disparate ideas to life for a forthcoming album out in November via Tenth Court. Lead track ‘It Takes A Long Time (To Be Free Of Society)’ channels feelings of societal malaise via sun-dappled melodic jangle – a genre each member has helped shape separately, now executed flawlessly together.
Words: James Frostick Band image: Capital Waste Pictures
Just over a month ago, Adelaide/Tarndanya trio Introduction released their debut self-titled EP – a collection of six beautifully minimal synth-pop -meets-post-punk gems. Today we’re thrilled to be premiering the visuals for standout track ‘Introduction’, a suitably mellow and hypnotic statement of intent that perfectly encapsulates the band’s understated power.
At the end of July, underground hip-up and electronica artist Neil O’Hardty (formerly known as Blackheart) will drop a new album. Before it hits, we’re premiering the visuals for fresh track ‘Miss Your Moment’ – a measured number that blends a loose mix of complementary genres together with grown-up sentiments about seizing opportunities when they arise.
A lot of things went down in March 2020. As the nation shut its borders and everyone prepared themselves for the oncoming pandemic, a cloud seemed to hover over everything. Despite the ominous feeling permeating those weeks, the music scene kept churning out great records – some of which are candidates for best of the year. In an effort to keep track of the year’s best recorded material, Weirdo Wasteland is releasing monthly round-ups of albums and EPs that we didn’t have enough time to cover at the time of release. In no particular order, here is the best of what arrived in March …
In an effort to keep track of the year’s best recorded material, Weirdo Wasteland will be releasing monthly round-ups of albums that we didn’t have enough time to cover in depth at the time of release. Although these are shorter write-ups, review length shouldn’t be taken as an indicator of album quality – everything listed is good and should be given proper time of day to indulge appropriately. Here is the best of what arrived in January …
Sydney four-piece Sachet has dropped some new sounds (and accompanying visuals) from its forthcoming record Nets. ‘Arncliffe Babylon’ is a piece of engaging and oblique guitar pop – off-centre in such a way that it perfectly scratches an itch you never new existed.Continue reading Listen: SACHET – ‘ARNCLIFFE BABYLON’→
Words: James Frostick
Band image: Louis Oliver Roach
Melbourne two-piece outfit Mystery Guest are building momentum ahead of the release of their debut album Octagon City with new single ‘The Red Dance’ – a piece of understated-yet-hypnotic club-pop rhythm all about shedding inhibitions and giving yourself over to the act of dance, free of ego, identity and name.
Weirdo Wasteland is an Australian-based music blog that examines musical endeavour from the cultural fringe. The site regularly features reviews and interviews from the underground scenes from Australia and New Zealand. Weirdo Wasteland acknowledges the original custodians of the land upon which it operates. Sovereignty has never been ceded. To get in touch, contact: weirdowasteland (at) gmail.com
