Words: James Frostick
Band image: Max Goodman
Cover art: Yuta Matsumura
Sydney/Warrang-based post-punk crew The No (featuring members of EXEK, Whores and Circle Pit) have dropped a new tape of vicious brain-sundering clatter. Boasting lashings of operatic goth rock and the nervy unpredictability of fellow Australian murk-punk noisemakers, Volume One is a noxious and narcotic wonder, enlivening and viscerally immediate. Continue reading In review: THE NO – VOLUME ONE (FAUSTIAN HAUS, 2020)
Words: James Frostick
Band image: Sam Stephenson
Sydney post-punk crew Low Life return with a new 7″, containing a track clipped from the recording sessions of their first LP Dogging. ‘Catholic Guilt’ is an unflinching look at organised religion and the sins of the church, arriving at a time when the ire aimed at the institution of faith has never been more hostile.
Words: James Frostick
After popping up on numerous live bills across Sydney, buzzing three-piece G2G has offered up the first taste of some recorded material. ‘No Kid No Angel’ is a piece of oblique post-punk that carries a sense of entrapment, conveying urgent sentiments regarding identity, change and growth in the face of gloom and uncertainty.
Words: James Frostick
Canberra and Sydney outfit Lower Body is following up on a well-received 12″ with a fresh track. ‘The Oasis’ is a captivating piece of post-punk, laced with nostalgia and ache and promise.
Words: James Frostick
Band image: Jake Ollett
Album art: Botond Keresztesi
Sydney post-punk outfit Solid Effort is releasing its second EP Echo Chambers of the Inner West, giving the honours of first play to Weirdo Wasteland. The group weaves a sonic tapestry made up of disparate threads of punk, post-punk and pysch, where cryptic lyrics and social critiques add texture and emotion adds colour.
Continue reading Premiere: SOLID EFFORT – ECHO CHAMBERS OF THE INNER WEST
Words: James Frostick
DEN has just unleashed a frenzied new track from it’s forthcoming LP, looking into the void and raging against it with fire and fury.
