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In Review: GLITTER VEILS – FIGURES IN SIGHT (FLEXIBLE RECORDS, 2017)

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In Review: GLITTER VEILS – FIGURES IN SIGHT (FLEXIBLE RECORDS, 2017)

March 6, 2017 weirdowasteland

Figures in Sight by Glitter Veils is a consummate and vivid album that blends delicate beauty with understated power.

Continue reading In Review: GLITTER VEILS – FIGURES IN SIGHT (FLEXIBLE RECORDS, 2017) →

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In August, Naarm/Melbourne-based aural agitators and power-punk pugilists Clamm will return to the spotlight to release Care – a new LP featuring 15 tracks of focused furore – through Chapter Music. The trio are getting the cogs of the hype machine cranking with lead single ‘Bit Much’, a sprinting spanker that funnels the anxiety associated with living in a collapsing society into a fiery three-minute fracas. Tap the bio link to listen! 📸: Gen Kay

Frosty synth-pop three-piece 100% has awoken from an elongated hibernation period with new sounds to share. Last week the Naarm and Meanjin-based group released ‘Abandon’, a composition imbued with the group’s signature coolly detached atmospherics and operatic, moonlight-clothed glamour. It preludes the release of the trio’s debut album, Clear Visions, which will be released later this year via esteemed underground hit factory It Records. Hit the link in bio to listen! 📸: Charlie Hillhouse

Naarm/Melbourne duo Vacuum sowed some sensational aural discord when they dropped their self-titled debut album through Heavy Machinery Records and It Records back in February. After letting our brains marinate in their brand of knotted industrial unce for just over a month, the duo is reaching out once more from the strobe and shadow to gift us with their self-directed and produced visual treatment for standout slice ‘I’ll Call You’ – an unsettling-yet-hypnotic montage that pairs perfectly with its sinisterly sneaking soundtrack. Hit the link in our bio to take a peek! 📸: Nicole Reed

Some familiar faces from Naarm/Melbourne’s musical melting pot have thrown their talents together to form Skid City, an eruptive and disruptive quintet specialising in no-frills rock ‘n’ roll. Ahead of the April release of the group’s debut LP through Shipping Steel Records, Skid City are gifting the world a teensy taste in the form of ‘Blue’ – a masterclass in haywire, white-knuckled ruckus that sounds timeless and essential. Hit the link in our bio to listen to the track and read a Q&A with the band! 📸: Anita Shao

Today Lutruwita/Tasmania-based trio Free Live Sports releases Stay Grounded, its first ever set of recordings put to tape, through Rough Skies Records. Over nine tracks the group cannily cobble together a collection of rough-hewn hooks, rickety riffs and rattletrap rhythms that belie the majority of the group’s neophyte abilities. Prioritising instinct over technique, Stay Grounded showcases the group’s keen sense for sound and ethos of placing fun over fidelity to engaging results. Hit the link in our bio to listen to the release and read a Q&A with band member Madeline Laing. 📸: Ben Salter

In just over a month’s time, Eora Country/Sydney-based group Shrapnel will release its new long-play effort Alasitas via Tenth Court. Lead single ‘Orpheum Protocol’ showcases a sonic departure for the group, which builds upon existing guitar-centric foundations and accentuates them with some charmingly off-centre instrumentation – hinting towards a newfound freedom and flexibility in sound. Hit the link in bio to listen! 📸: Gus Hunt

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Weirdo Wasteland is an Australian-based music blog that examines musical endeavour from the cultural fringe. The site regularly features reviews and interviews from the underground scenes from Australia and New Zealand. Weirdo Wasteland acknowledges the original custodians of the land upon which it operates. Sovereignty has never been ceded. To get in touch, contact: weirdowasteland (at) gmail.com

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