Naarm-based crew Crazytown! is indulging in a bit of belated festive cheer with Xmas In July – a splendid slab of sweaty, synthetic strange out today via Dero Arcade. Hard to pin down but easy to pick up, the members of Crazytown! have hijacked Santa’s sleigh and set about delivering this gift far and wide. Today we’re chuffed to be premiering the release, a collection of crocked club-friendly carols for the subterranean set.
Bedroom pop made with a punk attitude, the music of duo Baby Doll Eyes is a masterclass in scuffed-up energy and campy spunk. Yesterday the two-piece dropped a nine-track cassette full of bent and subversive jams via Dero Arcade and are keeping the release celebrations going with the visuals for standout track ‘Pizza Face Boy’, a punchy encapsulation of Baby Doll Eyes’ eclectic and electric approach to danceable discord.
California Girls, the moniker of dark-electro artist Gus McGrath, is inching closer to the release of his new LP Beat Boy. The record’s third single ‘Out The Door’ drops tomorrow, and we’re stoked to provide the first listen. Here Gus rips himself apart to the frenetic thump of the beat, searching for connection and company amidst the steaming heave of the dance-floor.Continue reading Premiere: CALIFORNIA GIRLS – ‘OUT THE DOOR’→
After several years in the wilderness, wickedly wayward Sydney rock-and-roll legends Circle Pit are back with a new-old EP. Wicked Wicked Time is comprised of four tracks written in the early stages of the band’s career, encapsulating them at a reckless, destructive, enlivening and entertaining part of their existence. Continue reading Premiere: CIRCLE PIT – WICKED WICKED TIME (DERO ARCADE, 2020)→
Words: James Frostick
Artist image: Isabella Capizio, clothing by SÜK Workwear
Several years on from her debut 2016 EP Ur Future Is Bright, Melbourne electro-pop artist EN.V has returned with some new music. ‘Neon Cowboy’ is a roomy and irresistible piece of country-tinged dance – the mix of genres is less an ironic aesthetic choice, and more a melding of influences, namely the artist’s rural upbringing and adoration for contemporary dance pop.
Canberra-based neo-synth-pop artist Gus McGrath aka California Girls is releasing the second track from his forthcoming record Beat Boy. ‘Small Birds’ is an irresistibly danceable track that places the listener in the bowels of a pulsing subterranean rave as Gus moves through a heaving mass of bodies, searching for true intimacy amid an uncaring world hooked on physical immediacy.
Words: James Frostick Artist image: Tristan Davies
As we celebrate the spookiest day of the year, Melbourne darkwave legend V steps out of the gloom to gift us the visuals for their anti-love song ‘All Lovers Deserve to Die’. Set to a mash-up of imagery from iconic romance movies and ultra-gory B-grade horror flicks, V reminds us all about the brutality of love and the fine line we walk between passion and hate.
After dipping her toes into stripped-back piano-driven songwriting on 2017 LP SHYNESS, Angela Garrick aka Angie Bermuda aka Angie has picked up the guitar once again to pen a collection of bulldozing rock-and-roll numbers for The Underling. Lead single ‘Blood On My Eyes’ finds Angie with dirt under her fingernails, sweat on her brow and a bit of fire in her gut.
It’s been just over a month since heralded darkwave artist V released their grief-saturated opus So Pure, and its reverberations are still being felt across the scene. We are looping back to chat to V about the record, its inspirations and the idea of confronting loss through music.
Melbourne-via-Berlin darkwave artist V builds up momentum to the release of their new record So Pure with the release of the visuals for single ‘Not Ready 4 This’. The track grapples with the aspect of grief and its undeniable power to shape us and bring us low.
Weirdo Wasteland is an Australian-based music blog that examines musical endeavour from the cultural fringe. The site regularly features reviews and interviews from the underground scenes from Australia and New Zealand. Weirdo Wasteland acknowledges the original custodians of the land upon which it operates. Sovereignty has never been ceded. To get in touch, contact: weirdowasteland (at) gmail.com